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Review
'The exploration of the implications of abjection: being abject, positioning as abject, for the visual and performing arts defines for this collection a double relevance. It adds to the study of abjection; it adds also to the analysis of a range of artistic practices... most of the chapters will themselves become significant in their areas while the whole performs an enlivening re-engagement and expansion of abjection as a term in contemporary cultural analysis.' Griselda Pollock -- .
About the Author
Rina Arya is Reader in Visual Communication at the University of Wolverhampton
Nicholas Chare is Associate Professor of Art History in the Department of History of Art and Film Studies at the Université de Montréal
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